Thursday, January 6, 2022

Thursday, Jan 6 Story of an Hour Vocab

Class blog: 

 sotaenglishhonors10.blogspot.com


IMPORTANT: you must check our class blog each day.  On Friday and Monday mornings, you will see a zoom link to our class. Please enter at your regular class time. 


Thursday, there is an assignment posted. In order to receive attendance credit, you must submit the material by 3:30. This is a very short fill-in-the-word vocabulary assignment.

Please copy and paste onto a google doc and share at dorothy.parker@rcsdk12.org

On Friday and Monday, I will post a zoom link on the blog. To receive attendance credit, you must log on at your usual class time.

Questions? Concerns? Send me an e-mail!

 The Story of an Hour by Kate Chopin


Learning Targets:

I can read closely to determine what the text says explicitly/implicitly and make logical inferences from it; cite specific textual evidence when writing or speaking to support conclusions drawn from the text. 

 I can determine central ideas or themes of a text and analyze their development.

Below are ten vocabulary words and two idiomatic expressions.

At the end of the end of the blog, please copy the practice sentences into a google doc and insert the correct vocabulary word and form of the word into the sentence. You must have the correct form to receive credit.

Share with dorothy.parker@rcsdk12.org

           




garrulous


                                          

                                           



                                           





                                 



                                                    









The Story of an Hour” by Kate Chopin                    vocabulary  

Note that there are 10 words and 2 idioms.

 

1. laconic- adjective-  person, speech, or style of writing using very few words; brief, concise, terse, succinct, pithy

 

2.      throng-noun- noun- a large, densely packed crowd of people or animals.

 

3.      intrepid-adjective- adjective- fearless; adventurous (often used for rhetorical or humorous effect).

 

4.      to accost-verb- to approach and address (someone) boldly or aggressively.

 

5.      reticent- adjective- not revealing one's thoughts or feelings readily.

 

6.      hapless- adjective- (especially of a person) unfortunate.

 

7.      furtive- adjective-attempting to avoid notice or attention, typically because of guilt or a belief that discovery would lead to trouble; secretive.

 

8.      irate- adjective- feeling or characterized by great anger.

 

9.      plethora- noun- a large or excessive amount of (something).

 

10.  felonious- adjective- wicked, cruel

 

Idioms

 

11.  the sword of Damocles- if you have a sword of Damocles hanging over your head, something bad seems very likely to happen to you

 

12. Pyrrhic victory- a victory that is not worth winning because you have suffered so much to achieve it


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Story of an Hour vocabulary practice


Below you will find 10 sentences. From the vocabulary words associated with Kate Chopin’s The Story of an Hour, select the best fits the context of the sentence. Check the blog for the definitions Please note that another part of speech may be substituted within the sentence. Adjust accordingly to receive credit.

Vocabulary choices: see above

 1.   The pop star was so famous that people would ____________________ her on the street and at the supermarket to ask for her autograph.

 

2.   It is ok to be _________________________ around people you do not know very well. Who wants to be garrulous with people you just met?

 

3.   Amando quickly accepted the job, as it came with a ______________________ of opportunities and benefits.

 

4.   Most of the staff was ______________________ when speaking about the investigation and kept things hush-hush.

 

5.   The ___________________rabbit could not escape from the trap. This was clearly an unfortunate situation for the bunny.

 

6.   When the game ended, a __________________ of fans carried some of the winning players off the field.

 

7.   Although my mother was __________________about me wrecking her car, she still said she loved me


8. When the defendant stood before the court, he felt as if a _____________________________ reigned over his future, as he waited for the jury's decision.

 

9.   Every  _____________________ act in the state required at least thirty days in jail and a minimum $1,000 fine.


10. Adam finally won the court case, although it was a ____________________________, since the legal fees far outweighed the award.

 

11.   With great ________________________ and much courage, young people are making the trek north with the hope of making a better future for themselves.

 

12. .                Because the thief was _____________________, nobody discovered that he stole thousands of dollars in merchandise

 

 


Sunday, January 2, 2022

Mon / Tues, Jan 3/4, 2022 poem: Musee des Beaux Arts

IMPORTANT: you must check our class blog each day. 

Tomorrow, Thursday, there will be an assignment posted. In order to receive attendance credit, you must submit the material by 3:30. This is a very short fill-in-the-word vocabulary assignment.

Please copy and paste onto a google doc and share at dorothy.parker@rcsdk12.org

On Monday and Tuesday, I will post a zoom link on the blog. To receive attendance credit, you must log on at your usual class time.

Questions? Concerns? Send me an e-mail!

IMPORTANT: you must check our class blog each day. 




Learning Targets: I can cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain.
I can determine two or more themes or central ideas of a text and analyze their development over the course of the text.
I can analyze the impact of the author's choices regarding how to develop and relate elements of a story or drama.
I can determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful.

In class: listening / reading  to W. H.  Auden's Musée des Beaux Arts and responding to analysis questions.

The assignment is due by midnight Tuesday, January 4

Part 1. Collect your notebooks

            Label: Musée des Beaux Arts


List 8 items you see within Breughel's painting: The Fall of Icarus

Part 2: Reading/ Listening to the text


Musee des Beaux Arts   listening

Below is the text of the poem


Musée des Beaux Arts


W. H. Auden

About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.

In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water, and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

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Accompanying questions for Musée des Beaux Arts



For each of the following, you must weave in specific text

 to support your responses. Don't forget your quotations!


IMPORTANT: The following responses should be "pithy",

 that is thorough and in depth. That is the reason you

 have two classes days. This will be a writing grade. Take

 your time. Check your punctuation and grammar. Vary

 your sentence structure and consider your diction (word

 choice.)

Begin with an MLA heading

your name
instructor's name
English II- ( ), Beaux Arts
5 January 2022

share, as usual, with dorothy.parker@rcsdk12.org

 NOT any other address!

1.    What did the “Old Masters” understand about suffering?

  2.   What do the contrasting examples in the first stanza

 seem to suggest about the “human position” of suffering?

 Support your answer using details from the first stanza. 


3   According to the speaker, how does Brueghel’s painting

 depict the reaction to Icarus’ disaster? Explain using specific

 details from the second stanza.


4.   How does Brueghel’s The Fall of Icarus seem to reinforce

 speaker’s ideas about suffering? Support your answer using

 details from the poem and from the painting shown above.



5.         In your opinion, why did Auden write this poem? (Do

 not use “I”!) In your response explain what he wishes to

 convey and why.


6.         How does Auden use imagery to help convey his ideas

 about suffering?     Give three specific examples and identify

 the type of imagery. (auditory, visual, olfactory, sensory,

 gustatory)

7..         Find two examples of irony and explain how they add

 to your understanding and appreciation of the poem.


Sunday, December 19, 2021

Mon-Wed, Dec 20-23 parable: Once Upon a Time: vocab, reading and written response

 

 

Learning Targets:

 I can analyze the development of themes across multiple text
I can analyze the impact of specific word choice on meani
I can analyzing the impact of narrative perspective
I can identifying and analyzing the literary devices used within the short story form
I can analyzing how an author develops theme through literary device
I can cite evidence from the text to support claims
I can writing fluid explanations


In class: Monday, December 20

                 prereading vocabulary review

                  your turn: in your notebook-select ten words and write a sophisticated sentence (see models) that demonstrates through context the meaning of the word

                 Tuesday, December 21

                  What is situational irony? 

  • Situational irony. This is at play when an expected outcome is subverted. For example, in O. Henry’s classic tale, The Gift of the Magi, a wife cuts off her long hair to sell it in order to buy her husband a chain for his prized watch. Meanwhile, the husband has sold his watch in order to buy his wife a comb for her hair. The situational irony comes from each person not expecting to have their gift be undercut by the other’s actions.


             Reading / listening, if you so choose, to Nadine Gordimer's Once Upon a Time.


      Wednesday, December 22 In approximately 200 words, explain the situational irony of  Nadine Gordimer's parable Once Upon a Time. What were the expectations, as opposed to the outcomes? Conclude with the moral lesson: how should one should behave in the world? Remember to weave in text, using quotations marks!


Important terms:

Allegory: A story in which ideas are symbolized as people.

Parable: A short story designed to teach a moral or religious lesson. 

Fable: A short story in which animals or objects speaks a story, to teach a moral or religious lesson

Setting: South Africa / suburb



     suburb South Africa 1:21

Once Upon a Time by Nadine Gordimer
Nadine Gordimer is a South African writer who received the Nobel Prize for literature in 1991. This story takes place during the end of the apartheid era in South Africa. Apartheid was an official system of racial segregation enforced by the ruling government from 1948 to 1994. Throughout the 1990s, after decades of oppression, many black South Africans protested against apartheid and retaliated* against white South Africans who had benefited from it.


Prereading vocabulary: 

Once Upon a Time by Nadine Gordimer  vocabulary
1. subconscious (noun) : a part of the mind we are not aware of but which we can gain access to by redirecting our attention

Dreams are doorways to the subconscious, pathways to the spirit realm and keys to the future.

2. aperture (noun) : a circular opening, often in relation to optical

 devices that deal with vision or photography through light

 manipulation 



The camera adjusts the lens aperture and shutter speed

 automatically.



3. distend (verb) : to expand, swell, or inflate



Because she was pregnant, her stomach began to distend as the baby grew.


4.rime -is a frost formed when fog droplets freeze onto solid objects.


A mix of clear ice and rime ice is formed when droplets vary in size or when snow, various-sized droplets and ice pellets make up the mix that is hitting the plane.




5.arrhythmia (noun) : any variation from the normal rhythm of the

 heartbeat



 During an arrhythmia, the heart can beat too fast, too slowly, or with an

 irregular rhythm.


6. stope- A stope is a step-like excavation made in a mine to extract ore or mineral deposits.

They haul the rock out of the stopes using buckets driven by

 small motorized winches’




7.itinerant (adj.) : working for a short time in various places; a casual

 laborer


Serving mostly itinerant and homeless women, many of

 whom have mental difficulties, the shelter is accepting donations.


8.inscribe (verb) : to enroll or list

Jake asked the jeweler to inscribe a beautiful message on the engagement ring.

9.implore (verb) : to ask earnestly

A persuasive ad was used to implore teenagers to wear their seatbelts and put their phones down while driving.

10. keening- loudly emitting a sharp noise

Amongst the moans of the wind, they hear a keening wail that sets her hairs standing up.

11. audacious (adj.) : bold, daring

With every new book she got more and more audacious, trying out new ways to surprise us.

12.single malt is an expensive type of whiskey.




13. to importune (verb)- to ask for or do persistently

They may importune the administration to act, but if they don't, there's a strong move in Congress to do so.

14. “Tsotsi” is a South African word meaning “hooligan” or “troublemaker.”

Set in an Alexandra slum, in Johannesburg, South Africa, the film tells the story of Tsotsi, a young street thug who steals a car only to discover a baby in the back seat.

15. aesthetic (noun) : style particular to a person, group, or culture

Her blonde weave, plucked and meticulously painted eyebrows, bandana, kitschy makeup, and attitude exude hip-hop's aesthetic.

16. pikes are medieval weapons resembling spikes.
The trench was filled with sharpened pikes made from wood.

17. efficacy (noun) : the ability to produce a desired or intended result

Many therapists and counseling professionals showed up to attest to the efficacy of the drug.

18.Chopi and Tsonga are two peoples from Mozambique, a country to the northeast of South Africa


Once Upon a Time By Nadine Gordimer   1991


     Someone has written to ask me to contribute to an anthology of stories for children. I reply that I don’t write children’s stories; and he writes back that at a recent congress/book fair/seminar a certain novelist said every writer ought to write at least one story for children. I think of sending a postcard saying I don’t accept that I “ought” to write anything.

And then last night I woke up — or rather was awakened without knowing what had roused me.

A voice in the echo-chamber of the subconscious?

A sound.

     A creaking of the kind made by the weight carried by one foot after another along a wooden floor. I listened. I felt the apertures of my ears distend with concentration. Again: the creaking. I was waiting for it; waiting to hear if it indicated that feet were moving from room to room, coming up the passage— to my door. I have no burglar bars, no gun under the pillow, but I have the same fears as people who do take these precautions, and my windowpanes are thin as rime, could shatter like a wineglass.

     A woman was murdered (how do they put it) in broad daylight in a house two blocks away, last year, and the fierce dogs who guarded an old widower and his collection of antique clocks were strangled before he was knifed by a casual laborer he had dismissed without pay.

     I was staring at the door, making it out in my mind rather than seeing it, in the dark. I lay quite still — a victim already — the arrhythmia of my heart was fleeing, knocking this way and that against its body cage. How finely tuned the senses are, just out of rest, sleep! I could never listen intently as that in the distractions of the day, I was reading every faintest sound, identifying and classifying its possible threat.

     But I learned that I was to be neither threatened nor spared. There was no human weight pressing on the boards, the creaking was a buckling, an epicenter of stress. I was in it. The house that surrounds me while I sleep is built on undermined ground; far beneath my bed, the floor, the house’s foundations, the stopes and passages of gold mines have hollowed the rock, and when some face trembles, detaches and falls, three thousand feet below, the whole house shifts slightly, bringing uneasy strain to the balance and counterbalance of brick, cement, wood and glass that hold it as a structure around me. The misbeats of my heart tailed off like the last muffled flourishes on one of the wooden xylophones made by the Chopi and Tsonga migrant miners who might have been down there, under me in the earth at that moment. The stope where the fall was could have been disused, dripping water from its ruptured veins; or men might now be interred8 there in the most profound of tombs.

     I couldn’t find a position in which my mind would let go of my body — release me to sleep again. So I began to tell myself a story, a bedtime story.

***
    In a house, in a suburb, in a city, there were a man and his wife who loved each other very much and were living happily ever after. They had a little boy, and they loved him very much. They had a cat and a dog that the little boy loved very much. They had a car and a caravan trailer for holidays, and a swimming-pool which was fenced so that the little boy and his playmates would not fall in and drown. They had a housemaid who was absolutely trustworthy and an itinerant gardener who was highly recommended by the neighbors. For when they began to live happily ever after they were warned, by that wise old witch, the husband’s mother, not to take on anyone off the street. They were inscribed in a medical benefit society, their pet dog was licensed, they were insured against fire, flood damage and theft, and subscribed to the local Neighborhood Watch, which supplied them with a plaque for their gates lettered YOU HAVE BEEN WARNED over the silhouette of a would-be intruder. He was masked; it could not be said if he was black or white, and therefore proved the property owner was no racist.

    It was not possible to insure the house, the swimming pool or the car against riot damage. There were riots, but these were outside the city, where people of another color were quartered. These people were not allowed into the suburb except as reliable housemaids and gardeners, so there was nothing to fear, the husband told the wife. Yet she was afraid that someday such people might come up the street and tear off the plaque YOU HAVE BEEN WARNED and open the gates and stream in... Nonsense my dear, said the husband, there are police and soldiers and tear-gas and guns to keep them away.

But to please her — for he loved her very much and buses were being burned, cars stoned, and school children shot by the police in those quarters out of sight and hearing of the suburb — he had electronically controlled gates fitted. Anyone who pulled off the sign YOU HAVE BEEN WARNED and tried to open the gates would have to announce his intentions by pressing a button and speaking into a receiver relayed to the house. The little boy was fascinated by the device and used it as a walkie-talkie in cops and robbers play with his small friends.

     The riots were suppressed, but there were many burglaries in the suburb and somebody’s trusted housemaid was tied up and shut in a cupboard by thieves while she was in charge of her employers’
house. The trusted housemaid of the man and wife and little boy was so upset by this misfortune befalling a friend left, as she herself often was, with responsibility for the possessions of the man and his wife and the little boy that she implored her employers to have burglar bars attached to the doors and windows of the house, and an alarm system installed. The wife said, She is right, let us take heed of her advice. So from every window and door in the house where they were living happily ever after they now saw the trees and sky through bars, and when the little boy’s pet cat tried to climb in by the
fanlight to keep him company in his little bed at night, as it customarily had done, it set off the alarm keening through the house.

      The alarm was often answered — it seemed — by other burglar alarms, in other houses, that had been triggered by pet cats or nibbling mice. The alarms called to one another across the gardens in shrills and bleats and wails that everyone soon became accustomed to, so that the din roused the inhabitants of the suburb no more than the croak of frogs and musical grating of cicadas’ legs. Under cover of the electronic harpies’ discourse intruders sawed the iron bars and broke into homes, taking away hi-fi equipment, television sets, cassette players, cameras and radios, jewelry and clothing, and sometimes were hungry enough to devour everything in the refrigerator or paused audaciously to drink the whiskey in the cabinets or patio bars. Insurance companies paid no compensation for single malt, a loss made keener by the property owner’s knowledge that the thieves wouldn’t even have been able to
appreciate what it was they were drinking.

      Then the time came when many of the people who were not trusted housemaids and gardeners hung about the suburb because they were unemployed. Some importuned for a job: weeding or painting a roof; anything, baas, madam. But the man and his wife remembered the warning about taking on anyone off the street. Some drank liquor and fouled the street with discarded bottles. Some begged, waiting for the man or his wife to drive the car out of the electronically operated gates. They sat about with their feet in the gutters, under the jacaranda trees that made a green tunnel of the street—for it was a beautiful suburb, spoilt only by their presence — and sometimes they fell asleep lying right before the gates in the midday sun. The wife could never see anyone go hungry. She sent the trusted housemaid out with bread and tea, but the trusted housemaid said these were loafers and tsotsis, who would come and tie her and shut her in a cupboard. The husband said, She’s right. Take heed of her advice. You only encourage them with your bread and tea. They are looking for their chance... And he brought the little boy’s tricycle from the garden into the house every night, because if the house was surely secure, once locked and with the alarm set, someone might still be able to climb over the wall orthe electronically closed gates into the garden.

     You are right, said the wife, then the wall should be higher. And the wise old witch, the husband’s mother, paid for the extra bricks as her Christmas present to her son and his wife — the little boy got a Space Man outfit and a book of fairy tales.

But every week there were more reports of intrusion: in broad daylight and the dead of night, in the early hours of the morning, and even in the lovely summer twilight — a certain family was at dinner
while the bedrooms were being ransacked upstairs. The man and his wife, talking of the latest armed robbery in the suburb, were distracted by the sight of the little boy’s pet cat effortlessly arriving over the seven-foot wall, descending first with a rapid bracing of extended forepaws down on the sheer vertical surface, and then a graceful launch, landing with swishing tail within the property. The
whitewashed wall was marked with the cat’s comings and goings; and on the street side of the wall there were larger red-earth smudges that could have been made by the kind of broken running shoes,
seen on the feet of unemployed loiterers, that had no innocent destination.

     When the man and wife and little boy took the pet dog for its walk round the neighborhood streets they no longer paused to admire this show of roses or that perfect lawn; these were hidden behind an
array of different varieties of security fences, walls and devices. The man, wife, little boy and dog passed a remarkable choice: there was the low-cost option of pieces of broken glass embedded in
cement along the top of walls, there were iron grilles ending in lance-points, there were attempts at reconciling the aesthetics of prison architecture with the Spanish Villa style (spikes painted pink) and
with the plaster urns of neoclassical facades (twelve inch pikes finned like zigzags of lightning and painted pure white). Some walls had a small board affixed, giving the name and telephone number of the firm responsible for the installation of the devices. While the little boy and the pet dog raced ahead, the husband and wife found themselves comparing the possible effectiveness of each style against its appearance; and after several weeks when they paused before this barricade or that without needing to speak, both came out with the conclusion that only one was worth considering. It was the ugliest but the most honest in its suggestion of the pure concentration-camp style, no frills, all
evident efficacy. Placed the length of walls, it consisted of a continuous coil of stiff and shining metal serrated into jagged blades, so that there would be no way of climbing over it and no way through its tunnel without getting entangled in its fangs. There would be no way out, only a struggle getting bloodier and bloodier, a deeper and sharper hooking and tearing of flesh. The wife shuddered to look
at it. You’re right, said the husband, anyone would think twice... And they took heed of the advice on a small board fixed to the wall: Consult DRAGON’S TEETH The People For Total Security.

      Next day a gang of workmen came and stretched the razor-bladed coils all round the walls of the house where the husband and wife and little boy and pet dog and cat were living happily ever after.
The sunlight flashed and slashed, off the serrations, the cornice of razor thorns encircled the home, shining. The husband said, Never mind. It will weather. The wife said, You’re wrong. They guarantee it’s rust-proof. And she waited until the little boy had run off to play before she said, I hope the cat will take heed… The husband said, Don’t worry, my dear, cats always look before they leap. And it was true that from that day on the cat slept in the little boy’s bed and kept to the garden, never risking a try at breaching security.

     One evening, the mother read the little boy to sleep with a fairy story from the book the wise old witch had given him at Christmas. Next day he pretended to be the Prince who braves the terrible thicket of thorns to enter the palace and kiss the Sleeping Beauty back to life: he dragged a ladder to the wall, the shining coiled tunnel was just wide enough for his little body to creep in, and with the first fixing of its razor-teeth in his knees and hands and head he screamed and struggled deeper into its tangle. The trusted housemaid and the itinerant gardener, whose “day” it was, came running, the first to see and to scream with him, and the itinerant gardener tore his hands trying to get at the little boy. Then the man and his wife burst wildly into the garden and for some reason (the cat, probably) the alarm set up wailing against the screams while the bleeding mass of the little boy was hacked out of the security coil with saws, wire-cutters, choppers, and they carried it — the man, the wife, the hysterical trusted housemaid and the weeping gardener — into the house.

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Friday/ Tuesday Jan 7/ 10 "The Story of an Hour" (zoom) story and graphic organizer

  Please join your class zoom meeting at the correct time. You must log in to receive attendance credit for the day.    Dorothy.Parker@RCSDK...